Industrial design and visual communication vs perceived quality
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Abstract
This contribution identifies an innovative typology of industrial design and visual communication, capable of overcoming the perception and "affordance" prob lems, that arise and develop through methodologies based on proposals on an emotional level. So far, in fact, ithas been evaluated to influence the user by exploit ing only theemotional components ofthe product, such as color and shape, running into a gap between perceived quality and real quality. Here we face a new way of developing an innovative strategy , based on erganomics, that combines the pecu liar characteristics and needs of the in dustrial object with the image of the brand to refer to. Thus, was born the in tention to make use of the most recent scientific discoveries concerning the study of cognitive processes, those on generative semiotics, Gestalt psychology, sensory synesthetic applications, up to the new studies on the evolution of the neocortex (mirror neurons. memes). in clase connection with the communica tive value of new media, social networks and the Metaverse.
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References
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